Suzana Koncut

Philippe Calvario

Diana Koloini

Set and costume design:
Karin Serres

Mitja Vrhovnik Smrekar

Light design:
Anne Gayan

Language consultant:
Barbara Korun

Assistant director:
Frederic Michel

Translation on rehearsals:
Jasmina Žgank

Opening performance:
September 2008

Drama SNG Ljubljana and Cie Philippe Calvario
In co-operation with Culturefrance and French Institute "Charles Nodier" Ljubljana

About the performance

Luis, a man in his forties, decides to visit his family that he has not seen for years. He knows he is going to die soon. He wants to deliver the news himself to his mum, his younger sister, his brother, and his wife whom he has not got to know so far. He wants to see them once more, a family that he left because of his decision to live a different life. In the past years he used to send them just postcards, and they used to send him messages about big family events and babies being born. Now he wants to meet them and talk to them for the last time. Yet it is difficult to talk about things that are most important in someone's life, especially with the next-of-kin who may have become strangers already. His desire for closeness and his attempts for understanding mix with a sense of remoteness, of an unbridgeable difference. »You are living a strange life there in the cities, « mother says in accepting her son's coming up to her, and this phrase represents the motive hanging constantly above them all. This observation points to everyone, not just to the son living in a big city, also to those who stayed in the province. The encounter in the mother's house opens memories. Old family phantoms reappear and mix with an equally undefined present, with confessions about half-realised personal visions and lives. They appear in avalanches of words spinning around repetitions and returns of continual motives, and they usually fade out in stillness. In the silence that embraces them from time to time there is sensitivity, an attempt to understand and a beginning of misunderstanding at the same time. Loneliness is the basic existential experience which they have all to face at this encounter. In the end Louis leaves without telling them the new about his going to die soon.  

Just the End of the World  is  Jean-Luc Lagarce's most often staged play and probably also his most personal piece. His drama work has become very popular recently, not only in France but also worldwide. In his short life Jean-Luc Lagarce was known only to rare connoisseurs and admirers. This was presumed to be a burden to him. With his colleagues he founded a theatre group putting on stage some selected authors (Beckett, Goldoni, Marivaux ...) and his own plays. There are twenty-five of them, and beside plays he wrote also novels, newspaper feuilletons, a film script, diaries ... Today, exceptional attention is dedicated to his extensive work, especially to his plays that actually over flew the stages in France and in the world.  At the moment, Jean-Luc Lagarce is the most often staged 20th century playwright ever.